-a tight-wire stretches from nowhere—to eternity—-
upon this terrible strand—inching along—balances
———a man with a parcel———————————
a black-lacquered—brass-handled-and-hinged—satin
-padded——yet—empty—box?——-certainly not!——-
—-or a nine inch tall—by four inch cylindrical—-
push-on-lidded—cookie type—tin of imitation brass
———-a name and a date—without——within———-a
——flaky—-yellow-grey—-mortal ash———————-
the man is perspiring—perhaps—-cursing—-smiling-
——-p  r  o  j  e  c  t  i  n  g   mentally ahead——-remini
—no—-if for a moment——the man re—moves—his—-
attention———from the parcel—and—-the wire——-
no——-surely the man remains focused upon the task
at hand——-and——-un—-clearly—-un—der foot——
perhaps the parcel is ticking—-tick—tick—tick—-
perhaps not———perhaps the lid will—spring open!
—-un-expectedly disgorging the contents of the box
————-the box!?——-what box?——lid?—————-
above the man—the sky—-the ceiling—-the vault of
heaven is crystal and diamond-etched—or flat white

—-in any case—-the man can—can not—raise his—-
jut chin with——out——losing——his sense—of——
the sun is a spotty looking glass—a buttered sauce
pan—-or—a masked god—-drooling filmy gobbets——
the man concentrates upon a critical——just beyond
the tip of——that which has position—but not—mag
—-ni—-tude——that which has position—but not—
duration——the salient feature of——his own blunt
nose——the shortest distance between two——to fill
the lines between——-the spot at which a policeman
is——puffing in short——a dot—a jot—a whit——a
snatch——ir—-r  e  g  u  lar barely dis  c  e  rnible ga
sps———————of melody———————————
below the man is—-the world——-as seen from a——
————————————————————————---
———————god’s eye?————————————
——————————————————-cumulo——-
————————————————————cirrus—-
————sky——————————————————-
——-scrapers——————————————————
——————————microwave—————————-

————————-towers————————————-
———————-electronic surveillance—telecommuni
cations and———-power lines——————————-
————————————radar station——————-
————————————————————————
———————————————-oil refineries—or—-
—-wells?——burning———————burning debris—
—————-anti-aircraft gun emplacement——————
————————-++ scud missile launcher++———-
————-correction————-minaret———————-
———————————————————razor-wire-
fences——trenches—————soot-black and tanned
———visages—————————————————-
——————————-open matchbook——————
—Shawmut Indian on cover with red eagle feather—-
——-three green safety-strike matches missing———
phone number scrawled in number-two lead pencil 74
2-09——something—something—————————-
——————————————-several wads of chew
ing gum and foil-backed paper—————a Canadian
—dime—date not visible—————————————

——————spent—-38-caliber slug————————
———-a tuft of human hair———-no——-correction—
——————more like a caterpillar nibbling?————-
-sorry——————a simoom———————————-
——a      z i l l   i   o    n      grains of    s a n d ————
occasionally—the nape-less man fal—ters——-teeterin
g   like a—————————————————————
————————————g————————————
————————————l————————————-
————————————i————————————-
———————————mps———————————-
——————————-e s   of———————————
——————————the  w or——————————-
—————————-ld     b e lo w—————————-
—————————ign    i t e     f u—————————
————————ses    of   n a u s e————————-
———————-ati      n g     f  e  a   r————————
———————spa    r  k  s   s h  o  o  t———————
——————-th r      o  u  g  h       h  i  s——————-
——————ext      r  e  m   i     t   i   e  s——————-
——————cro     s  s   i  n  g   t o   and——————-
——————fro     m     a    c  h a r  g ed——————-
—————— whi    r l i ng   c  e  n   t  er ——————-
———————his   na v e l  f e e ls  at———————-
———————-onc  e  h o t  ly  tight————————
————————-and  cold unrav—————————
——————————ell y  au re——————————
————————————v————————————
————————————————————————-
————————————————————————-
————————————————————————-
————————————————————————-

the swing-bridges of his overstrung roads———knees
—-elbows—-ankles—-wrists——-seem to be—-collap
—where is headquarters?——what were his—-orders?
does the heel revolve——clockwise——or   count—er-
——-he  can——he———-can  not  be———certain—
a sharp combination of alarms—bells—sirens—buzzzz
zzzzz——snares——-dis———con———-cert  s——-
—————————————————him——————
fevered  right ing  attempts  with in  the  tiny  labyr inth
————————————————————————-
————————————————————————-
————————————————————————-
tri gger  hi ghly  sensitive  stopcocks  that  shutter  and
————————————————————————-
————————————————————————-
————————————————————————-
shuttle  infin i t e s i mal  quantities  of  l e v e l ing-fluid
————————————————————————-
————————————————————————-
————————————————————————-
around  a  tightly  coiled  semi-circular  inner  chamber
————————————————————————-
————————————————————————-
————————————————————————-
firing  mercur i al  neuron  impulses  who  flitter  across
————————————————————————-
————————————————————————-
————————————————————————-
burning  skeins  of  i n visible  dendrites  skipping  over
————————————————————————-
————————————————————————-
————————————————————————-
synaptic  canyons  with  incalculable  internodal speed
————————————————————————-
————————————————————————-
————————————————————————-

locking  and  un locking  boiling  violet  rivers  wel  ling
————————————————————————-
————————————————————————-
————————————————————————-
swelling  and  thrumming  elastin  culverts  glor i ously!
——all simulating——upon the merest filament of——-
auditory nerve—— g  r  e  a  t  l  y   a  m  p  l  i  f  i  e  d
—-the gentle implosions———found nestled so———
harmoniously within——a paper nautilus—r e ticulated
helmet—or——queen conch———i n v o k i n g———
peach bloom and aquamarine tints of  tidal  alga  song
—————————lathering a top—————————
the cerulean  rhythms  of  crab classical  bottom music
————————————————the  man————-
attends———-he  i s  captivated——he  i s  t e r r ified
————————————————————————-
distinguishing  the  richly  complex   patterns   of  shell
and  jewel—-symphonic——com—po—si—tion—-tym
panic  modulations——multi-stringed  vi—bra—to——
tremulous oscillations of pause—segmented worms of
———————w   a   r   m     a   i    r————————
so  held  within  the  strictest  of  metron o mical  limits
he  pictures—a winged seraphim—or—a peaked lady?
—-swags—-curlicues—-scrolls—and—tendrilled folds
of ancient quivering flesh——secured  with  steel——-
baleen—-and mighty cotton fiber—-hung with—beetly
jet  pendants——and melancholy——skillfully  tooted-
bugle beads—-a  green  clouded—-swallow tail—like-
fan  of——shim m  e  r  i n g    b o m b a zeen—or—a-
golden kashmir sapphire-eyed cat-ornamented sistrum
——waving——-in  her  rune—marbled claw——to a—
———youthful  hero  on  a  smart  parade horse———
——gems  of  fine  sweat  aglitter  its  steamy flanks—-
—tautly  pumping  to  a  martial  drumbeat—-rearing—
—-against—the  maddening  pressure  of—its pearl—-
-studded—-collar-piece  and  bridle——-furiously——-
yet———-r e m o t e l y——-as  seen——trough———
——-and———c  r  e  s  t  i  n   g——-through—-a——
——————r e——fr a c t   o   r   y    t e l e s c o p e—
or  perhaps—a——dusty—rusted  z o e trope—-f l u t t

e   r    i     ng——————-s  o  f     t    l  y——————
his lungs expand  like  an——a  m  b e r   c  a  r  b  o  y
from  an  egg like  gathering  of  molten  metal————
he  smells——-singed  lashes———petrol  smoke——
garlic—-persian  apples  and  a  hint  of—-lilac—soap?
——a  dryness———-deep  in  his  throat——he swall
ows———no———-he—-is——un——-able—-to——
——-he——-fends——-a  spi ry—-yearning  in  the  pit
an  exquisite  barbed  pull—-sweet  null—lip  tide  suck
then  a  tart  wave  of  battery  acid  thick  as  motor oil
bitter as chard blood—bu r s t s !—-upon the bare root
com—pelling him to—throw  wide  his  fear sick—maw
and—-r a s ping  violins?—-pristine  silence—-or—-no
the sky is now missile and drummond-blaze on  taffeta
heaven—vault  of—is a lavender glass vase—brooding
upon a fresh grave slab—hair -lines—of  lachrymal  ice
the moon is a custard——forced smile of caramel slag
spilling onto ground zero—the stars—-bright  shard—-
points  of rapacious bicuspids—ranging sighs—-blown
kisses——-arched  by  cinder -lace—-mantilla  draped
figure—slender  turbines  circum volute—-re volved on
fire-churning  axle—-Arabian  night—-hour-glass-warm

as  fast  shadows—dip—rise—stitch  the needle’s  eye
——————————————-
white-hot  sons  gun  in storm   rip  the roof off  babylo
——————————————
on  the  shredded pavement  a  sheik skin lies the torn
parchment  of  peace——————————the  parcel
wobbles——-within  a———-weak—-en—-ing   grip—
———somewhere————-thirty-seven candles flicker
—-and—-perhaps———-at  the  very  last  instant   he
—————————-catches himself!——-or does he?
——————————————-
of course——————-it  is  certain————————-
—a taut-line stretches——-from hour  to——-hour——
upon this turbulent thread——pedaling along—winces
—————-a bon o bo on a  ba  na  na bi cycle——————————-

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